For a London Landscape Designer, a Wild Hilltop in Argentina Is a Creative Canvas

The northwestern Argentine province of Salta offers a dramatic landscape where the imposing peaks of the Andes mountains frame Spanish Colonial architecture. Here, the farm where landscape designer Jenny Graham spent her childhood later became the same place she and her husband, Jonny, a commodities broker, chose to settle after three decades of living in London.

Though the vast terrain of the farm encapsulates areas for crops and cattle, it consists primarily of the sort of untouched nature that characterizes the region—low scrub vegetation and the surfeit of wildlife it attracts. “I believe the landscape should dictate what the architecture becomes,” says Jenny Graham of the site they selected for the home they designed. “We found a little barren zone on a hill where there wasn’t much wilderness to remove, and then the project just emerged.”

In the living room, the vintage fiberglass chair is from Spitalfields Market in London, and the cocktail table on wheels was designed by Jonny. The artworks are by Mariano Cornejo.
Mark Luscombe-Whyte

The ample one-bedroom residence, organized around an interior patio, is a contemporary take on the traditional typology of local farmhouses, with a nearby guest cottage featuring the same dimensions as the courtyard, as if extruded from the main volume. With a landscape so untamed, there is often a desire to mimic nature in the architecture by employing natural materials and a subdued color palette. But Graham took a different route: The main home’s front doors are painted in bold hues of blue as well as in orange, her favorite color. The juxtaposition stands in pleasant tension with the enveloping wilderness that meets the facade.

“I believe the landscape should dictate what the architecture becomes.” —Jenny Graham

Built in concrete block, the house was intended to feel not just connected to but inextricably linked with the landscape in all its scales: the surrounding greenery so close to the ground floor that one can make out all its details; the wide vistas of the mountains and sky framed by the upstairs windows. And so, the project functions almost as an allegory of our contemporary condition—the encounter between the artificial and the natural realms, a struggle in which one suspects and, perhaps unwittingly, even hopes the latter will emerge victorious.

For any landscape designer, including Graham, the decision to leave a terrain largely intact is an intentional one. “I did add some aloe plants and some agaves that are kind of scattered around,” she says of her subtle domestications. “I opened up, ever so slightly, a few views to the hills. But primarily, it is wilderness all around.”

Tour This Argentinean Home with a View of the Andes

a square concrete house pokes up out of the trees on a hillside with trees, shrubs, and bushes in the foreground and mountains in the background under a blue sky
with clouds forming shadows on the mountains

In tune with the running theme of dichotomy, the sleek interiors are a different story altogether—polished concrete floors, details in chrome and aluminum, and pristine white walls contrast the occasional and vividly colored objects and artworks. One painting, Graham’s own, stands out—an orange crescentoid, one of the study drawings for a sculpture she made while living in London. Otherwise, the rooms are airy and minimal.

Early on, the owners decided to embrace their large, fairly empty spaces. “When we were designing, many people asked, ‘How are you ever going to fill this up?’ ” recalls Graham. “I said, ‘I’m never going to!’ ”

the kitchen has gray cement floors and two sets of deep blue cabinets topped with polished cement counters, one directly below windows the length of the wall, and a bright orange door at one end, and a ceiling fan

The kitchen’s complementary color scheme includes an aluminum door painted orange and Formica cabinetry in a custom cobalt. The dividing wall and floors are poured concrete, and the counters are polished cement with stone insets.
Mark Luscombe-Whyte

The couple’s days begin early, with the sun’s rise flooding their rooms with light. Leisurely breakfasts prepared in the vast kitchen are enjoyed in the even vaster dining area. Later, meandering walks through the farm in the company of Dulce and Rosa, their two dogs, are a fixture of their afternoons, which are otherwise spent working or painting in the studio, picking and arranging flowers, and conducting art workshops with the children who live on the farm. But Graham’s favorite activity is one in which the landscape is once again the protagonist.

“Depending on the time of day, there are shadows of the trees being cast on the walls, changing all day long,” she says. “You’re always aware of the weather here, of what the sun and moon are doing.” Hearing her say this, one understands her decision to leave most walls bare; her house is a stage upon which nature is projected. For someone who traded the buzzing streets of London for a slice of wilderness, this daily spectacle is surely worth making room for.

winter 2023 cover elle decor

This story originally appeared in the Winter 2023 issue of ELLE DECOR. SUBSCRIBE

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