‘Yellowstone’ snubbed by Emmy voters in unprecedented dis

Well, that sucks.

Cable TV’s biggest series, “Yellowstone,” and its star, Kevin Costner, failed to snare a single Emmy nomination Tuesday morning — a head-scratcher that makes no sense, even in the inscrutable WTF? world of the TV Academy and its voters.

And all this even after academy Chairman/CEO Frank Scherma introduced the nomination ceremony — hosted by JB Smoove and Melissa Fumero — by rhapsodizing about the record number of submissions and the magnificence and impact of television in the 21st century.


I mean, how do you ignore a (Paramount Network) series that’s averaged as much as 14 million viewers a week, spawned three spinoffs/prequels (“1883,” “1923” and “6666”) and transformed its co-creator, Taylor Sheridan, into a creative TV titan without peer? He’s already snared Oscar winners Helen Mirren, Harrison Ford, David Oleyowo and Sylvester Stallone for upcoming shows — and has accomplished all of this in a digital world where viewers are migrating in droves to streaming platforms, no less. C’mon, people. You can almost hear the late Rodney Dangerfield: “What’s a series gotta do to get some respect around here?”

I don’t get it, especially for a show that’s been embraced by viewers from coast-to-coast. It hasn’t fared much better in its previous three seasons — one measly nomination last year for Outstanding Production Design. Apparently, Costner, who’s also an Oscar winner (“Dances With Wolves”), doesn’t cut the mustard with TV Academy voters, nor does the show’s solid supporting cast (including Cole Hauser, Kelly Reilly, Luke Grimes, Kelly Asbille and Wes Bentley). It would be interesting to know why. OK, so prequel series “1883” earned a nomination for cinematography and music — I guess that’s better than nothing (?) — but stars Tim McGraw and Faith Hill, who were excellent in their leading roles were completely snubbed. Yikes.

Meanwhile, the list of nominees tells you all you need to know about the power and, let’s face it, the quality, of traditional network television (ABC, CBS, Fox and NBC).

It’s nearly non-existent in the 2022 TV universe, while cable still has a pulse … barely.

Quinta Brunson and her ABC sitcom, “Abbott Elementary,” were the lone broadcast network Emmy nominees in primetime.

“Abbott Elementary” and series star Quinta Brunson were the lone nominees (on ABC) representing the Big Four in the major primetime Emmy categories. Cable networks FX, HBO, Showtime, and AMC fared marginally better — yet were still overwhelmed by streamers Netflix, Hulu (“Only Murders in the Building” and stars Steve Martin and Martin Short and Elle Fanning for “The Great”), HBO Max, Apple TV+ et al.

(Broadcast fared better in the Variety/Talk category, with ABC’s “Jimmy Kimmel Live,” “Late NBC’s “Late Night with Seth Meyers” and CBS’ “The Late Show with Stephen Colbert” nominated. They’re joined by “The Daily Show with Trevor Noah” (Comedy Central) and “Last Week Tonight with John Oliver (HBO) — but that’s a much smaller pool from which to pluck nominees. One notable snub here: NBC’s “The Tonight Show Starring Jimmy Fallon.”)

HBO, which traditionally snares a boatload of nominees, did so again this year, with “Succession” (and stars Brian Cox and Jeremy Strong), “Barry” (and star Bill Hader), “Curb Your Enthusiasm,” “Insecure” (Issa Rae, Best Actress, Comedy) and “Euphoria” (Best Drama and star Zendaya) all represented. FX (“What We Do in the Shadows” and Donald Glover for “Atlanta”) and AMC (“Better Call Saul” and star Bob Odenkirk) squeaked in, as did BBC America (Jodie Comer/Sandra Oh, “Killing Eve” — talk about enough already … just let it go.)

Photo of "Euphoria" star Zendaya, who's gazing wistfully off-camera. She's wearing a red sweatshirt.
Both Zendaya and her HBO series, “Euphoria,” garnered Primetime Emmy nominations.
Photo of "Squid Game" star Lee Jung-jae in a scene from the Netflix series. He's in a crowd of people and looks frightened; there's a dab of blood on his shirt, which he's wearing underneath a green zip-up sweatshirt.
Lee Jung-jae was nominated for his role in the Netflix smash hit “Squid Game.”

“The Crown,” last fall’s big Emmy winner (Best Drama and statuettes for Olivia Colman, Josh O’Connor, Gillian Anderson, Tobias Menzies), wasn’t eligible this year; neither were “Westworld,” “The Boys” or “The Handmaid’s Tale” — thankfully for the latter. I mean, how many more extreme, full-frame close-ups do we need of Elisabeth Moss smirking and/or grimacing?

As for the rest of the field (notwithstanding “Yellowstone”), the members of the TV Academy got most of it right.

The international phenomenon “Squid Game” was nominated (along with star Lee Jung-jae, Best Actor in a Drama) as was its Netflix stablemate (and perhaps even more popular series) “Stranger Things,” which shattered digital viewing records left and right in its fourth season. Also faring well: “Hacks” (and last year’s winner, Jean Smart), “Severance” (and star Adam Scott) and last year’s Best Comedy, “Ted Lasso” (and star Jason Sudeikis) — the latter two Apple TV+ — as well as “Yellowjackets” (Showtime, with star Melanie Lynskey nominated for Best Actress in a Drama). Also making the list: “Ozark” (Best Drama, stars Jason Bateman and Laura Linney), “The Marvelous Mrs. Maisel” (Best Comedy, star Rachel Brosnahan).

Melanie Lynskey in the Showtime series "Yellowjackets." She's in the kitchen and holding a butcher's knife and is standing over a cutting board with what looks like a dead rabbit lying on it.
Melanie Lynskey in the Showtime series “Yellowjackets.”
Kailey Schwerman/SHOWTIME

None of these series would be anywhere without terrific supporting casts, so kudos to, among so many others, Anthony Carrigan and Henry Winkler (“Barry”); Kieran Culkin and Matthew Macfadyen (“Succession”); Hannah Einbinder (“Hacks”); Janelle James and Sheryl Lee Ralph (“Abbott Elementary”); Rhea Seehorn (“Better Call Saul”); and Julia Garner (“Ozark”).

Don’t tell that to the cast of “Yellowstone,” however — they’ll be nowhere to be found when the Emmys air on Sept. 12, live on NBC.

And that’s a shame.

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